Balenciaga y Darío Fernández Flórez en el cine de Luis Marquina

  1. Meléndez Táboas, Amelia
Libro:
III Congreso Internacional Historia, arte y literatura en el cine en español y portugués: hibridaciones, transformaciones y nuevos espacios narrativos: 24, 25 y 26 de junio 2015, Salamanca
  1. Camarero Calandria, María Emma (coord.)
  2. Marcos Ramos, María (coord.)

Editorial: Centro de Estudios Brasileños ; Universidad de Salamanca

ISBN: 978-84-606-8174-8

Ano de publicación: 2015

Volume: 1

Páxinas: 469-480

Congreso: Congreso Internacional Historia, literatura y arte en el cine en español y portugués (3. 2015. Salamanca)

Tipo: Achega congreso

Resumo

Darío Fernández Flored assisted Luis Marquina to convert his novel Haute Couture (1953) into a script. In this work he transfered the low origin amorality of Lola, dark mirror (1950) to the double morality of madrilenian bourgeoisie frequent to fashion circles. Fashion profession that pretended to be distinguished, liberalizing, being at the service of system propaganda here represented by Cristobal Balenciaga designs. The representation of neopicaresque and the use of stark realism in the film will be appreciated and it will be pointed out the achievements of this portrait of spanish post-war moral misery made by one of its most controversial participants.