Julie Barnsleyestética del cuerpo en estado de rebeldía. Un emprendimiento coreográfico diferenciado en la danza contemporánea venezolana en el siglo XXI

Resumo

This article presents a philosophical analysis on the poetics of the dance, it observed, as sensible and enterprising project that invites a search for freedom and the co-involvement of the subject that dance in a state of rebellion. Therefore, we will dialogue with the choreographer Julie Barnsley through its valuable text of investigation called: El cuerpo como territorio de la rebeldía. I would thus reflect on the art powerfully differentiated and we may well lead to states of foreboding and warning to the obstacles that our western culture has historically left in the body. When Michel Foucault wrote that: “the man who rebels is inexplicable” (Bauer, 2012), led us to believe that the inexplicable is a constituent part of the essence of the creation and that territory free itself in the history as a battle. It is then, to recover the humanistic sense lost in the crisis of the Modernity, but this recovery offer from categories that Barnsley (2013) us presents in the first instance, in our individuality that is where it makes possible the idea of liberalizing all. I also try to explain the possible elements where a choreographic speech could be constructed from the rebelliousness of the body, drop elements for the construction of an idea of harmony, concord and peace so necessary in times of crisis.